Twentieth Century African American Literature
   
  Primary Texts:  
   
  The Souls of Black Folk by W   E B Du Bois, published by Dover Publications Inc. 1994 £2.00 paperback 9780486280417
   
  The Autobiography of an Ex-colored Man by James Weldon Johnson, published by Dover Publications Inc.   1995 £2.00 paperback 9780486285122
   
  Invisible Man by Ralph Ellison, published by Penguin Books Ltd Penguin Classics 2001 £9.99 paperback   9780141184425
   
  Their Eyes Were Watching God by Zora Neale Hurston, published by Little, Brown Book Group Virago   Press Ltd 1986  £8.99 paperback 9780860685241
   
  Beloved by Toni Morrison, published by Vintage 1997 £8.99 paperback 9780099760115
   
   
  I suggest you read Invisible Man before the course starts at it's quite lengthy.  
   
   
   
  You are encouraged to read round as much as possible (see suggested reading). It is important that you keep up with the reading as the material will become more difficult   as the semester progresses. Don't worry if some texts/ critical reading seems hard at first but you will get a better grasp of the theory if you read more than the minimum requirement.  Remember to supplement your reading with journals. You will find  African American Review and Callaloo (the two premier journals in the field) available via JSTOR.  
   
  You should also check out  Literature Online (which you can access from off campus):   http://lion.chadwyck.co.uk/contents/contents.jsp
  You will find lots of useful information for this unit under the following headings:  
  1) 1900-present: Twentieth-Century Literature  
  e.g.  African-American Poetry of the Twentieth Century [202 volumes by 78 authors],
   
  2) Criticism
    -   Full-Text Journals (369 journals)
 -   New Essays on the American Novel (Cambridge University Press) [38 volumes, including  Invisible Man]
 -   Cambridge Companions to Literature (Cambridge University Press) [218 volumes, including several on African American Literature]
 
   
  3) Reference Works
  e.g.  The Handbook of African American Literature 
   
  Some Key Books to get you started…  
   
    Andrews, William. L. et. al.  The Oxford Companion to African-American Literature (Oxford: Oxford University Press, 1997).  Very useful entries and brief essays on African American Literary history and culture.
    Ervian, Arnett. the Handbook of African American Literature (Gainesville: University Press of Florida, 2004).  A-Z of 415 literary terms, ages, movements & cultural sources & 8 full length essays.  
    Gates, Henry Louis, Jr.   The Norton Anthology of African American Literature (New York: Norton, 2004).  Superb anthology of African American literature.
    Graham, Maryemma.  The Cambridge Companion to the African American Novel (Cambridge: Cambridge University Press, 2004).  Useful essays on themes: passing, the Protest novel, the Blues novel. Includes chapters on Ralph Ellison, Toni Morrison and others.
    Jarrett, Gene. A Companion to African American Literature  (Chichester: Wiley-
                Blackwell, 2010). A   series of essays that explore the forms, themes,  
                genres, historical contexts, major authors, and latest critical  
                approaches, this book presents a comprehensive chronological  
                overview of African American literature from the 18th century to  
                the modern day.
  Jones, LeRoi [Amiri Baraka], and Larry Neal, eds.  Black Fire: An Anthology of Afro-
              American Writing, 1968. (new edition has been ordered).
    Mitchell, Angelyn. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present (Durham: Duke University Press, 1994).  A key anthology which presents the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance,   continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory
    Warren, Warren,  What Was African American Literature? (Cambridge: Harvard 
                University Press, 2012)  A provocative and engaging book.
   
    Useful Secondary Reading  
    Awkward, Michael. Negotiating Difference: Race, Gender and the Politics of Positionality. Chicago: University of Chicago Press, 1995.  A very engaging book on themes from black men in feminism and Michael Jackson.
    Baker, Houston. Modernism and the Harlem Renaissance (Chicago & London: University of Chicago Press, 1987).
    ------. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic  (Madison: University of Wisconsin Press, 1988).
    ------. Blues, Ideology and Afro-American Literature: A Vernacular Theory  (Chicago: University of Chicago Press, 1984).
    Battle, Michael. The Black Church in America: African American Christian Spirituality (Malden, Mass.: Blackwell, 2006).  
    Birch, Eva Lennox. Black American Women's Writing (London: Harvester Wheatsheaf, 1994).  
  Borstelmann, Thomas,  The Cold War and the Color Line: American Race Relations 
              in the Global Arena. Cambridge, MA (Harvard University Press, 2001).
    Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Novelist  (New York & Oxford: Oxford University Press, 1987).
    Christian, Barabara.   Black Women Novelists: The Development of a Tradition, 1892-1976 (Westport:  Greenwood Press, 1976).  
    Cleaver, Eldridge. Soul on Ice (New York: Ramparts, 1968). Cleaver was a key member of the Black Panthers.  This is a controversial about important book. Includes a vicious attack on James Baldwin.
    ------. Post-Prison Writings and Speeches  (London: Cape, 1969).
    Cook, Robert. Sweet Land of Liberty? the African-American Struggle for Civil Rights in the Twentieth Century ( Harlow: Longman, 1999).  
    Cooke, Michael G. Afro-American Literature in the Twentieth Century (New Haven: Yale University Press, 1984).  
    Cooper, Anthony, ed.   the Black Experience, 1865-1978 (Dartford: Greenwich University Press, 1995).  Excellent resource with key relevant documents concerning African American history and politics.  
    Early, Gerald, ed. Lure and Loathing: Essays on Race, Identity, and the Ambivalence of Assimilation (London: Allen Lane, 1993).  
  Edwards, Brent Hayes,  The Practice of Diaspora: Literature, Translation and the 
              Rise of Black Internationalism  (Cambridge, MA: Harvard UP, 2003).  Key work on the internationalization of the Harlem Renaissance.
    Emmanuel, James A., and Theodore Gross, eds.  Dark Symphony: Negro Literature in America (New York: Free Press, 1968).    
    Fabi, Giulia. Passing and the Rise of the African American Novel  (Urbana, Ill. University of Illinois Press, 2001). Includes a chapter on   The Autobiography of an Ex-Colored Man.
    Fabre, Genevieve, ed.   History and Memory in African-American Culture (Oxford: Oxford University Press, 1994).  
    Franklin, John, and Alfred A. Moss (  From Slavery to Freedom: A History of African Americans. New York: McGraw Hill, 1994).  
    Garcia, Jay. Psychology Comes to Harlem: Rethinking the Race Questions in  Twentieth Century America  (Baltimore: Johns Hopkins University Press, 2012). Includes a chapter on Baldwin's  Notes of a Native Son and a discussion of Richard Wright.
    Gates, Henry Louis, Jr., ed.  "Race," Writing, and Difference (Chicago: University of Chicago Press, 1986).
    ------.The Signifying Monkey (Oxford: Oxford University Press, 1988).
    ------., ed. Black Literature and Literary Theory (New York: Routledge, 1990).
    ------., ed. Reading Black, Reading Feminist: A Critical Anthology  (New York : Meridian Book 1990).  
    ------. Loose Canons: Notes on the Culture Wars  (New York: Oxford University Press, 1992).
    Ginsberg, Elaine K., ed.  Passing and the Fictions of Identity (Durham: Duke University Press, 1996).  
    Gussow, Adam. Seems Like Murder Here: Southern Violence and the Blues Tradition  (Chicago & London: University of Chicago Press, 2002). Includes a discussion of Zora Neale Hurston.  
    Hakutani, Yoshinobu, and Robert Butler.  The City in African-American Literature (London: Associated University Press, 1995).  
    Hakutani, Yoshinobu.   Cross-Cultural Visions in African American Modernism: from Spatial Narrative to Jazz Haiku. Colombus: Ohio State University Press, 2006.  Includes a discussion of James Baldwin and Ralph Ellison. 
    Harris-Lopez, Trudier.   South of Tradition: Essays on African American Literature (Athens: University of Georgia Press, 2002).  
    Jackson, Lawrence P. The Indignant Generation: A Narrative History of African American Writers and Critics, 1934-1960 (Princeton   University Press, 2012). 
    Superb history of African American writers, organizations and magazines
    Jones, Gayl. Liberating Voices: Oral Tradition in African American Literature (Harvard: Harvard University Press, 1991).  
    Jones, Leroi (Amiri Baraka).  Home: Social Essays (New Jersey: Ecco Press, 1966). Provocative Essays in the civil rights era/ Black Arts Movement.
    King, Lovalerie. A Students' Guide to African American Literature, 1760 to the Present (New York: Peter Lang, 2003).  
    Lane, Christopher, ed.   The Psychoanalysis of Race (New York: Columbia University Press, 1998).
    Margolick, David. Strange Fruit: Billie Holiday, Café Society (Edinburgh: Pay Back Press, 2001).  
    Moynihan, Sinéad.  Passing into the Present: Contemporary American Fiction of 
                Racial and Gender Passing  (Manchester: Manchester University Press, 2010).
    Murray, Albert. the Omni-Americans: New Perspectives on Black Experience and American Culture (New York: Outerbridge & Dienstfrey, 1970).  Excellent work on the cultural importance of blues and jazz.   
    Neal, Mark Anthony. Soul Babies: Black Popular Culture and Post-Soul Aesthetic (London: Routledge, 2002).  
    Norman, Brian. Dead Women Talking: Figures of Injustice in American Literature  (Baltimore: Johns Hopkins University Press, 2012). Good on Beloved
    Parish, Timothy. The Cambridge Companion to American Novelists  (Cambridge: Cambridge University Press, 2012). Essays on Wright, Hurston and Morrison.
    Pryse, Marjorie and Hortense Spillers, ed.  Conjuring: Black Women, Fiction, and 
                Literary Tradition  (Bloomington: Indiana University Press, 1985).
    Sollors, Werner,  Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature  (New York: Oxford University Press, 1997).
    Spillers, Hortense. Black, White, and in Color: Essays on American Literature and Culture (Chicago: University of Chicago Press, 2003).  
  Sundquist, Eric.  To Wake the Nations: Race in the Making of African American 
              Literature  (Cambridge, Mass.: Belknap, 1993).  Seminal work on African 
              American Literature from 1830-1930.
    Tate, Claudia. Psychoanalysis and Black Novels: Desire and the Protocols of Race (New York; Oxford: Oxford University Press, 1998).  
    Verney, Kevern. African Americans and US Popular Culture (London; New York: Routledge, 2003).  
    Wald, Gayle. Crossing the Line: Racial Passing in Twentieth Century U.S. Literature and Culture  (Durham, NC: Duke University Press, 2000).
    Wall, Cheryl.  Changing our Own Words: Essays on Criticism, Theory, and Writing by Black Women  (London: Routledge, 1990).
    ------. Women of the Harlem  Renaissance  (Bloomington: Indiana University Press, 1995). Seminal work on women and the Harlem Renaissance.
    Young, Al & Ishmael Reed.   African American Literature: A Brief Introduction and Anthology (New York: HarperCollins College, 1996)
     
  Gender and Sexuality
    Bambara, Toni Cade, ed.   The Black Woman: An Anthology (New York: New American Library, 1970; 2005).   Ground-breaking anthology of essays, poems, writings by African American women.
    Beam, Joseph. Ed In the Life: A Black Gay Anthology (Boston: Alyson Publications, 1986; 2008).  A key work about African American writing and homosexuality. Includes an interview with Richard Bruce Nugent, the first Af-Am writer to publish a story about homosexuality.
    Blount, Marcellus, and George P. Cunningham, eds.  Representing Black Men (New York & LondonRoutledge, 1996). Excellent on race, sexuality & race.
    Byerman, Keith Eldon.   Fingering the Jagged Grain: Tradition and Form in Recent Black Fiction (Athens: University of Georgia Press, 1985). Includes chapters on Ellison and Morrison.  
    D'Emilio, John. Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States 1940-1970. (Chicago; London: University of Chicago Press, 1998).  D'Emilio's books are not specifically African American but have good chapters on African American culture.  
    D'Emilio, John. Intimate Matters: A History of Sexuality in America. Ed. Estelle B. Freedman. (New York: Harper & Row, 1988).  
    Ferguson, Roderick A.   Aberrations in Black : Toward a Queer of Color Critique (Minneapolis, Minn.: London: University of Minnesota Press, 2004).  Includes a discussion of James Baldwin.
    Hemphill, Essex, ed.   Brother to Brother: New Writings by Black Gay Men (Boston: Alyson Publications, 1991).  
    Henderson, Mae and E. Patrick Johnson.  Black Queer Studies: A Critical Anthology (Durham: Duke University Press, 2005).  
    Hooks, Bell. Ain't I a Woman: Black Women and Feminism (London: Pluto, 1982).  
    ---. Yearning: Race, Gender, and Cultural Politics (Boston, MA: South End Press, 1990).
    Leak, Jeffrey B. Racial Myths and Masculinity in African American Literature (Knoxville, TN: University of Tennessee Press, 2005).  Challenging but insightful book: includes a chapter on Ralph Ellison.
    McBride, Dwight A. Why I Hate Abercrombie & Fitch: Essays on Race and Sexuality (New York, N.Y. ; London: New York University, 2005).   Excellent essay on James Baldwin.
    Segal, Lynne. Slow Motion : Changing Masculinities, Changing Men (Basingstoke: Palgrave Macmillan, 2007).Excellent chapter on race, gender and masculinity
    Smith, Barbara, ed. Home Girls: A Black Feminist Anthology (New Brunswick, N.J.; London: Rutgers University Press, 2000).  Excellent anthology of black feminism. 
     ---. The Truth that Never Hurts: Writings on Race, Gender, and Freedom (New Brunswick, N.J. & London: Rutgers University Press, 1998).  
    Staples, Robert. Black Masculinity: The Black Male's Role in American Society (Black Scholar Press, 1982).  
    Stecopoulos, Harry, and Michael Uebel, eds.  Race and the Subject of Masculinities (Durham, N.C.; London: Duke University Press, 1997).
    Stockton, Kathryn Bond.   Beautiful Bottom, Beautiful Shame: Where "Black" Meets "Queer" (Durham, N.C.; London: Duke University Press, 2006).  Useful chapter on Baldwin.
    Summers, Claude J. Gay Fictions: Wilde to Stonewall : Studies in a Male Homosexual Literary Tradition (New York: Continuum, 1990).  Includes a chapter on Baldwin
    Wallace, Michele. Black Macho and the Myth of the Superwoman (London: Verso, 1990).  Outrageous and very readable account of black sexual politics in late 1960s and early 1970s. A must!
    Young, Harvey, ed. The Cambridge Companion to African American Theatre  (Cambridge: Cambridge University Press, 2012). Includes chapters on Hurston and Amiri Baraka/ LeRoi Jones.
     
     
    W.E.B. Du Bois (1868-1963)
    Key works by Du Bois   
    ·          See Sundquist, Eric, ed.  The Oxford W.E.B. DuBois Reader (New York: Oxford University Press, 1996).
     
  The Souls of Black Folk (1903)
  The Talented Tenth, second chapter of  The Negro Problem, a collection of articles by African Americans (September 1903).
  John Brown: A Biography (1909)
  Atlanta University's Studies of the Negro Problem (1897–1910)
  The Negro (1915)
  The Gift of Black Folk (1924)
  Africa, Its Geography, People and Products (1930)
  Africa: Its Place in Modern History (1930)
  Black Reconstruction in America (1935)
  What the Negro Has Done for the United States and Texas (1936)
  Black Folk, Then and Now (1939)
  Color and Democracy: Colonies and Peace (1945)
  The World and Africa (1946)
  The World and Africa, an Inquiry into the Part Which Africa Has Played in World History   (1947)
  Peace Is Dangerous (1951)
  Africa in Battle Against Colonialism, Racialism, Imperialism (1960)
   
  Autobiographies
  Darkwater: Voices From Within the Veil (1920)
  Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept (1940)
  The Autobiography of W. E. Burghardt Du Bois, (1968)
   
  Key Criticism on Du Bois
   
  Andrews, William L., ed. Critical   Essays on W. E .B. Du Bois (Boston: G. K. Hall,  
               1985).  Hard to get hold off; not in library and would need to be 
              ordered via inter-library loan.
  Back, Les and John Solomos. Theories   of Race and Racism: a Reader (New York:  
              Routledge, 2000).  Contains useful chapter on Du Bois.
  Balfour, Katharine Lawrence.  Democracy's Reconstruction: Thinking Politically 
              with W.E.B. Du Bois  (New York: Oxford University Press, 2011).
  Bell, Bernard W. and Emily Grosholz. W.   E. B. Du Bois on Race and Culture: 
              Philosophy, Politics, and Poetics (New   York: Routledge, 1996).on order
  Blum, Edward and Jason Young, ed.  The Souls of W.E.B. Du Bois: New Essays and 
              Reflections  (Macon, Ga. : Mercer University Press, 2009).  On order
  Byerman, Keith E. Seizing the Word:   History, Art, and Self in the Work of W. E. B. 
              Du Bois (Athens: University of   Georgia Press, 1994).
  Carby, Hazel V. Race Me  (Cambridge, MA: Harvard University Press, 1998).  
               Includes useful discussion of Du Bois and The Souls of Black Folk 
  Crouch, Stanley and Playthell Benjamin. Reconsidering   the Souls of Black 
              Folk: [Thoughts   on the Groundbreaking Classic Work of W. E. B. Dubois] 
              (Philadelphia: Running Press, 2002).  On order
  Du Bois, Shirley Graham. His Day Is   Marching On: A Memoir of W. E. B. Du Bois 
              (Philadelphia: Lippincott, 1971).
  Durr, Marleese. The New Politics of   Race: from Du Bois to the 21 st century  
              (Westport, CT:   Praeger, 2002).
  Horne, Gerald.  W.E.B. Du Bois: A Biography  (Santa Barbara, Calif. : Greenwood  
  Press, 2010).
  Horne, Gerald. Black and Red: W. E.   B. Du Bois and the Afro-American Response to 
              the Cold War, 1944–1963 (Albany:   State University of New York Press, 1985).
  Lewis, David Levering. W. E. B. Du Bois:   Biography of a Race, 1868–1919 (New  
              York: Henry Holt, 1993).
  Lewis, David Levering. W. E.   B. Du Bois—the Fight for Equality and the American 
              Century, 1919-1963 (New   York: H. Holt, 2000).
  Logan, Rayford W. W. E. B. Du Bois: A Profile   (New York: Hill and Wang, 1971).
  Moore, Jack B. W. E. B. Du Bois   (Boston: Twayne Publishers, 1981).
  Ramparsad, Arnold. The Art and Imagination   of W. E. B. Du Bois (Cambridge, MA:  
              Harvard University Press, 1982).
  Reed, Adolph L., Jr. W. E. B. Du Bois   and American Political Thought: Fabianism 
              and the Color Line.(New   York: Oxford University Press, 1997).
  Smith, Shawn Michelle.  Photography on the Color Line: W.E.B. Du Bois, Race and 
              Visual Culture  (Durham, N.C.: Duke University Press, 2004).
  Sterne, Emma. His Was the Voice: The   Life of W. E. B. Du Bois. Foreword by Ronald 
              Severson (New York: Crowell-Collier Press, 1971).
  Walden, Daniel. The Problem of Color   in the Twentieth Century: a Memorial to W. 
              E. B. Du Bois  (Wilberforce, OH: Central State University, 1966).
  Zamir, Shamoon. Dark Voices: W. E. B. Du Bois and American Thought, 1888–
              1903. Chicago:   University of Chicago Press, 1995.
  ------, ed.  The Cambridge Companion to W.E.B. Du Bois (Cambridge: Cambridge 
              University Press, 2008).
  Zuckerman, Phil, ed. Du   Bois on Religion( Walnut Creek, CA: AltaMira Press, 2000).
  Zuckerman, Phil, ed. The   Social Theory of W. E. B. Du Bois (Thousand Oaks, CA:  
              Pine Forge Press, 2004).
   
  James Weldon Johnson
    http://www.english.illinois.edu/maps/poets/g_l/johnson/life.htm
    Key Works
    The Autobiography of an Ex-Coloured Man (novel),   1912.
  Fifty Years and Other Poems, Cornhill, 1917.
  (Editor) The Book of American Negro Poetry, Harcourt,   1922. In library
  (Editor) The Book of American Negro Spirituals,   Viking, 1925.
  (Editor) The Second Book of Negro Spirituals Viking,   1926.
  God's Trombones: Seven Negro Sermons in Verse (poetry),   1927.
  Black Manhattan (nonfiction),   Knopf, 1930, Arno, 1968.
  Along This Way: The Autobiography of James Weldon Johnson, Viking, 1933.  
  Negro Americans, What Now? (nonfiction),   Viking, 1934.
  Saint Peter Relates an Incident: Selected Poems, Viking, 1935.
  The Great Awakening, Revell, 1938.
  The Selected Writings of James Weldon Johnson, edited by Sondra K. Wilson, Oxford University   Press, 1995. 2 volumes—in library
  The Essential Writings of James Weldon Johnson  (Modern Library) On order
   
  Key Criticism on Johnson (there isn't a huge amount of secondary reading on Johnson)
  Andrade, Heather. Revising Critical Judgments of "The Autobiography of an Ex-
              Colored Man." African American Review,   Vol. 40, No. 2 (Summer, 
              2006):257-270
  Brooks, Neil. "On Becoming an Ex-Man: Postmodern Irony and the Extinguishing of  
              Certainties  in the Autobiography of an Ex-Colored Man." College   Literature, 
              Vol. 22, No. 3, Race and Politics: The Experience of African-American  
              Literature (Oct., 1995):17-29.
    Fleming, Robert. James Weldon Johnson  (Boston: Twayne, 1987). 
    Goellnicht, Donald. "Passing as Autobiography: James Weldon Johnson's The Autobiography of an Ex-Coloured Man."  African American Review, Vol. 30, No. 1 (Spring, 1996): 17-33.
    Levy, Eugene.  James Weldon Johnson: Black Leader, Black Voice (Chicago: University of Chicago Press, 1973).
  Pfeiffer, Kathleen. "Individualism, Success, and American Identity in  The 
              Autobiography of an ExColored Man." African   American Review, Vol. 30, 
              No. 3 (Autumn, 1996): 403-419.
  Price, Kenneth and Lawrence Oliver, ed.  Critical Essays on James Weldon Johnson 
               (New York: G.K. Hall, 1997).
    Vauthier, Simon, "The Interplay of Narrative Modes in James Weldon Johnson's "The Autobiography of an Ex-Colored Man."    Jahrbuch für Amerikastudien 18 (1973): 173-181.
  Wandler, Steven. "A Negro's Chance": Ontological Luck in "The Autobiography of an  
              Ex-Colored Man." African American   Review, Vol. 42, No. 3/4 (Fall - Winter, 
              2008): 579-594
  Washington, Salim. "Of Black Bards, Known and Unknown: Music as Racial  
  Metaphor in James Weldon Johnson's:  The Autobiography of an Ex-Colored 
    Man." Callaloo:   A Journal of African-American and African Arts and Letters 25.1 (Winter   2002):  233-56.
     
    Zora Neale Hurston
    Key Works (click on hyper links)
    http://zoranealehurston.com/
     
  "How It Feels   to Be Colored Me" (1928), essay
  Jonah's Gourd Vine (1934),   novel
  Mules and Men (1935),   non-fiction
  Their Eyes Were Watching God (1937),   novel
  Tell My Horse (1938),   non-fiction
  Moses, Man of the Mountain (1939),   novel
  Dust Tracks on a Road (1942),   autobiography
  Seraph on the Suwanee (1948),   novel
  "What   White Publishers Won't Print" (1950) 
  The Sanctified Church (1981)
  Spunk: Selected Stories (1985)
  Mule Bone: A Comedy of Negro Life (play,   with Langston Hughes; edited with introductions by George Houston Bass and Henry Louis Gates, Jr.) (1991)
  The Complete Stories (introduction   by Henry Louis Gates, Jr. and Sieglinde Lemke) (1995)
  Zora Neale Hurston: A Life in Letters, collected and edited by Carla   Kaplan (2003)
  Collected Plays (2008)
     
  Key Criticism on Hurston
  Campbell, Josie.  Student Companion to Zora Neale Hurston (Westport: Greenwood 
              Press, 2001).
  Gates, Henry Louis, ed.  Zora Neale Hurston: Critical Perspectives Past and Present 
               (New York: Amistad, 1993).  Great resource: includes reviews of her  
              work at the time of publication.
  Harris, Trudier.  The Power of the Porch: The Storyteller's Craft in Zora Neale 
  Hurston, Gloria Naylor, and Randall Kenan  (Athens, Ga.: University of  
  Georgia Press, 1996).
  Hathaway, Rosemary. "The Unbearable Weight of Authenticity: Zora Neale  
              urston's "Their Eyes Were Watching God" and a Theory of "Touristic  
              Reading."   The Journal of American Folklore, Vol. 117, No. 464 (Spring,  
              2004): 168-190.
  Hemenway, Robert E.  Zora Neale Hurston: A Literary Biography (London: Camden 
              Press, 1986).
  Jordan, Jennifer. "Feminist Fantasies: Zora Neale Hurston's  Their Eyes Were 
              Watching God." Tulsa   Studies in Women's Literature, Vol. 7, No. 1 (Spring, 
              1988): 105-117
    Jones, Sharon L. Rereading the Harlem Renaissance: Race, Class and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West  (Westport: Greenwood Press, 2002).
    Kaplan, Carla, ed. Zora Neale Hurston: A Life in Letters  (New York: Doubleday, 
              2002).
    Lester, Neal. Understanding Zora Neale Hurston's Their Eyes Were Watching God: A Student  Casebook to Issues, Sources and Historical Documents  (Westport: Greenwood Press, 1999).
    Meisenhelder, Susan.   Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston  (Tuscaloosa: University of Alabama Press, 1999).
  Wall, Cheryl, ed..  Zora Neale Hurston's Their Eyes Were Watching God: A Case ook (Oxford: Oxford University Press, 2000).
  ------.  Women of the Harlem Renaissance (Bloomington: Indiana University Press,   
              1995).
  West, Margaret.  Zora Neale Hurston and American Literary Culture (Gainseville: 
              University Press of Florida, 2005).
  Wolter,  Jürgen C. "From History to Communal Narrative: The Merging of Cultural  
              Paradigms in "Their Eyes Were Watching God" Amerikastudien   / American 
              Studies, Vol. 46, No. 2 (2001): 233-24
     
  Richard Wright (1908-1960)
  Key Works by Wright
    -   Wright, Richard. The Richard Wright Reader  (New York: Harper & Row, 1978). 
 
     
  Fiction
  Uncle Tom's Children (New York: Harper, 1938)
  The Man Who Was Almost a Man (New York: Harper, 1939)
  Native Son (New York: Harper, 1940)
  The Outsider (New York: Harper, 1953)
  Savage Holiday (New York: Avon, 1954)
  The Long Dream (Garden City, New York: Doubleday, 1958)
  Eight Men (Cleveland and New York: World, 1961)
  Lawd Today (New York: Walker, 1963)
  Rite of Passage (New York: Harper Collins, 1994)
  A Father's Law (London: Harper Perennial, 2008)
   
  Non-fiction
  How "Bigger" Was Born; Notes of a Native Son (New York: Harper, 1940)
  12 Million Black Voices: A Folk History of the Negro in the United States (New   York: Viking, 1941)
  Black Boy (New York: Harper, 1937)
  Black Power (New York: Harper, 1954)
  The Color Curtain (Cleveland and New York: World, 1956)
  Pagan Spain (New York: Harper, 1957)
  Letters to Joe C. Brown (Kent State University Libraries, 1968)
  American Hunger (New York: Harper & Row, 1977)
  Black Power: Three Books from Exile: "Black Power"; "The Color Curtain"; and "White Man, Listen!" (Harper   Perennial, 2008)
   
  Essays
  The Ethics Of Living Jim Crow: An Autobiographical Sketch (1937)
  Introduction to Black Metropolis: A Study of Negro Life in a Northern City (1945)
  I Choose Exile (1951)
  White Man, Listen! (Garden City, New York: Doubleday, 1957)
  Blueprint for Negro Literature (New York City, New York) (1937)[28]
  The God that Failed (contributor) (1949)
   
  Key Criticism on Wright
    Butler, Robert James. "The Function of Violence in Richard Wright's Native Son."  
                Black American Literature Forum, 20 1/2  (Spring-Summer 1986): 9-25.
    Dow, William and Alice Mikal Craven, ed.  Richard Wright: New readings in the 21st  
                century( New York : Palgrave Macmillan 2011).
    Ellison, Ralph. "Richard Wright's Blues."  The Antioch Review, 5, 2 (Summer 1945): 
                198-211.
    Felgar, Robert. Richard Wright  (Boston: Twayne Publishers 1980).
  Fabre, Michel.  The World of Richard Wright (Jackson: University Press of  
              Mississippi 1985).
    ------. The Unfinished Quest of Richard Wright  (New York : Morrow 1973).
  Gates, Henry Louis, Jr.  The Signifying Monkey (New York: Oxford University Press, 
              1988).  Excellent chapter on Wright. 
  ------- and Kwame Anthony Appiah, ed.  Richard Wright: Critical Perspectives Past  
              and Present  (New York: Amistad, 1993).  On order. Excellent sources for 
              reviews and criticism from publication to later criticism.
    Hakutani, Yoshinobu,  Richard Wright and Racial Discourse (Columbia; London :  
                University of Missouri Press 1996).
    ------.  Critical Essays on Richard Wright (Boston, Mass. : G.K. Hall 1982).
    Felgar, Robert.  Student Companion to Richard Wright (Westport, Conn. : Greenwood Press 2000).
    Gayle, Addison.  Richard Wright: Ordeal of a Native Son (Garden City, N.Y : Anchor  
                Press/Doubleday 1980).
    Joyce Anne Joyce. "Style and Meaning in Richard Wright's  Native Son." Black 
                American Literature Forum, 16, 3 (Autumn 1982): 112-115.
    Kinnamon, Keneth, ed.   Conversations with Richard Wright (Jackson: University  
                Press of Mississippi 1993).
    ------.The Emergence of Richard Wright: A Study of Literature and Society  (Urbana  
                (etc.); London : University of Illinois Press, 1972).
    Miller, Eugene.  Voice of a Native Son: The Poetics of Richard Wright (Jackson :  
              University Press of Mississippi, 1990).
  Miller, James A. "Bigger Thomas's Quest for Voice and Audience in Richard Wright's  
               Native Son." Callaloo, 28: A special Issue on Richard Wright (Summer 1986):  
              501-506.
    Rampersad, Arnold.  Richard Wright: a Collection of Critical Essays  (Englewood  
                Cliffs, N.J. : Prentice Hall 1995).
  Weiss, M. Lynn.  Gertrude Stein and Richard Wright: The Poetics and Politics of 
              Modernism  (Jackson, Miss. University of Mississippi Press, 1998).
   
   
  James Baldwin 1984-1987
    Key works by James Baldwin
     
  Go   Tell It on the Mountain (semi-autobiographical novel; 1953)
  The Amen Corner (play;   1955)
  Notes   of a Native Son (essays; 1955)
  Giovanni's Room (novel;   1956)
  Nobody   Knows My Name: More Notes of a Native Son (essays; 1961)
  Another   Country (novel; 1962)
  The Fire Next   Time (essays; 1963)
  Blues   for Mister Charlie (play; 1964)
  Going   to Meet the Man (stories; 1965)
  Tell   Me How Long the Train's Been Gone (novel; 1968)
  No Name   in the Street (essays; 1972)
  If   Beale Street Could Talk (novel; 1974)
  The Devil   Finds Work (essays; 1976)
  Just Above   My Head (novel; 1979)
  Jimmy's   Blues (poems; 1983)
  The   Evidence of Things Not Seen (essays; 1985)
  The   Price of the Ticket (essays; 1985)  includes most of Baldwin's essays
    Collected Essays (essays; 1998).   As above
  The   Cross of Redemption: Uncollected Writings (essays; 2010)
   
  Collaborations
  Nothing Personal (with Richard   Avedon, photography) (1964)
  A Rap on Race (with Margaret   Mead) (1971)
  One   Day When I Was Lost (orig.: A. Haley; 1972)
  A Dialogue (with Nikki   Giovanni) (1973)
  Little   Man Little Man: A Story of Childhood (with Yoran   Cazac, 1976)
  Native Sons (with Sol   Stein, 2004). About Baldwin's relationship with his editor as he wrote  Notes of a Native Son 
   
  Key Criticism on James Baldwin
    Balfour, Katharine Lawrence.  The Evidence of Things Not Said James Baldwin and the Promise of American Democracy (Ithaca, N.Y.; London: Cornell University Press, 2001).  
    Bloom, Harold, ed. James Baldwin: Modern Critical Views  (New York: Chelsea House Publications, 1985).
    Campbell, James. Talking at the Gates: A Life of James Baldwin (London: Faber, 1991).  Very useful and well written biography. 
    Caplan, Cora and Bill Schwaz, ed..  James Baldwin: America and Beyond (Ann Arob: University of Massachusetts Press, 2011).  Useful collection of essays on JB
    Chametzky, Jules, ed.   Black Writers Redefine the Struggle. Edinburgh: Institute for advanced study in the humanities, 1989.  
    Field, Douglas, ed. A Historical Guide to James Baldwin  (New York: Oxford University Press, 2009).
    ------. James Baldwin  (Tavistock: Northcote House Press, 2011).
    Garcia, Jay. Psychology Comes to Harlem: Rethinking the Race Questions in  Twentieth Century America  (Baltimore: Johns Hopkins University Press, 2012). Includes a chapter on Baldwin's  Notes of a Native Son and a discussion of Richard Wright.
    Harris, Trudier. Black Women in the Fiction of James Baldwin. Knoxville: University of Tennessee Press, 1985.  
    Kaplan, Cora and Bill Schwarz,  
    McBride, Dwight A., ed.   James Baldwin Now. New York: London: New York University Press, 1999. 2 in library.  Excellent collection of essays.
    Miller, D. Quentin, ed.   Re-Viewing James Baldwin: Things Not seen. Philadelphia: Temple University Press, 2000.  Useful collection of essays.
    ------. A Criminal Power: James Baldwin and the Law  (Columbus: Ohio State University Press, 2012). Good discussion of  Notes of a Native Son
    Relyea, Sarah. Outsider Citizens: The Remaking of Postwar Identity in Wright, Beauvoir, and Baldwin. New York, N.Y. ; London: Routledge, 2006.  
    Rusk, Lauren. "Selfhood and Strategy in  Notes of a Native Son." James Baldwin Now. Ed. Dwight A. McBride. New York; London: New York University Press, 1999.
    Stein, Sol. Native Sons: A Friendship that Created One of the Greatest Works of the 20th Century: Notes of a Native Son. New York: One World, 2004. Ordered 2.  Fascinating account of how Baldwin's first book of essays came about. 
    Weatherby, W.J. James Baldwin: Artist on Fire  (London: Michael Joseph, 1990).
     
  Ralph Ellison
    Ellison, Ralph. The Collected Essays of Ralph Ellison. New York: Modern Library, 2003).
    ---. Flying Home and Other Stories. New York: Vintage Books, 1998. 2 in library.
    ---. Going to the Territory. New York: Random House, 1986. 2 in library.
    ---. Invisible Man. London: Penguin, 2001.  
    ------. Three Days Before the Shooting  (New York: The Modern Library, 2010).
     
    Key Criticism on Ralph Ellison (this is just a start: there are many articles on JSTOR and chapters in books).  
    Busby, Mark. Ralph Ellison. Boston: Twayne Publishers, 1991.   
    Butler, Robert. The Critical Response to Ralph Ellison  (Westport, Conn. ; London : Greenwood Press 2000).
    John F. Callahan.  Ralph Ellison's Invisible Man: A Casebook (Oxford: Oxford University Press, 2004).
    Foley, Barbara.  Wrestling with the Left: The Making of Ralph Ellison's Invisible Man (Durham: Duke University Press, 2010).
    Graham, Maryemma and   Amritjit, ed.  Conversations with Ralph Ellison (Jackson: University Press of Mississippi, 1995).
    Nadel, Alan. Invisible Criticism: Ralph Ellison and the American Canon (Iowa City: University of Iowa Press, 1991).
    O'Meally, Robert G., ed.  New Essays on Invisible Man (Cambridge: Cambridge University Press, 1988).  
    ------., ed. Living with Music: Ralph Ellison's Jazz Writings  (New York: Modern Library, 2001).
    Posnock, Ross, ed. The Cambridge Companion to Ralph Ellison (Cambridge: Cambridge University Press, 2005).  
    Rampersad, Arnold. Ralph Ellison: A Biography  (New York: Vintage, 2008).
    Schor, Edith. Visible Ellison: A Study of Ralph Ellison's Fiction  (Westport, Conn.: London: Greenwood Press, 1993).
    Sundquist, Eric J., ed.   Cultural Contexts for Ralph Ellison's Invisible Man. Boston, Mass.: Bedford Books of St. Martin's Press, 1995.  
    Tracy, Steven C.  ed.   A Historical Guide to Ralph Ellison. (Oxford & New York: Oxford University Press, 2004).
    Wright, John S. Shadowing Ralph Ellison (Jackson: University Press of Mississippi, 2006).  
     
  Toni Morrison
    Morrison, Toni. Beloved.  Chatto & Windus, 1987.  
    ------. The Bluest Eye. London: Chatto and Windus, 1981.  
    ------. Jazz. Chatto & Windus, 1992.
    ------. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, Ma. ; London: Harvard University Press, 1992.  
    ------.  Conversations with Toni Morrison (Jackson: University Press of Mississippi,  
            1994).
    ------. What Moves At the Margin: Selected Non-Fiction  (Jackson: University Press 
                of Mississippi, 2008).
     
    Key Criticism on Morrison
     
  Bloom, Harold, ed.  Toni Morrison (New York: Chelsea House, 1990).
    ------, ed. Toni Morrison's The Bluest Eye  (New York: Bloom's Literary Criticism, 2007).
    Peach, Linden. Toni Morrison (London: Macmillan, 1995).
    Furman, Jan. Toni Morrison's Fiction (Columbia, S.C.: University of South Carolina Press, 1996).
    Gates, Henry Louis, Jr. and Anthony Appiah.  Toni Morrison: Critical Perspectives Past and Present (New York: Amistad, 1993).  
    Rushdy, Ashraf, H.A. ""Rememory" Primal Scenes and Constructions in Toni Morrison's Novels."  Contemporary Literature 31.3:300-323 (1990). 
    Heinze, Denise. The Dilemma of "Double-Consciousness": Toni Morrison's Novels (Athens; London: University of Georgia Press, 1993).  
    Hernton, Calvin. "The Sexual Mountain and Black Women Writers."  Wild Women in the Whirlwind: Afro-American Culture and the Contemporary Literary Renaissance. Ed. Joanne M. Braxton and Andre McLaughlin ( London: Serpent's Tails, 1990). 195-212.  
    Luebke, Steven R. "The Portrayal of Sexuality in Toni Morrison's  the Bluest Eye." Censored Books II. Ed. Nicholas J. Karolides (  Lanham, MD: Scarecrow, 2002). 
    McKay, Nellie and William Andrews.  Toni Morrison's Beloved: A Casebook (Oxford: Oxford University Press, 1999).
  Roynon, Tessa.  The Cambridge Introduction to Toni Morrison (Cambridge: 
              Cambridge University Press, 2012).
    Scott, Lynn Orilla. "Revising the Incest Story: Toni Morrison's  the Bluest Eye and James Baldwin's just Above My Head." James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays. Ed. Lovalerie King and Lynn Orilla Scott (New York, N.Y.; Basingstoke: Palgrave Macmillan, 2006).
    Waxman, Barbara Frey. "Girls into Women: Culture, Nature, and Self-Loathing in Toni Morrison's  the Bluest Eye." Women in Literature : Reading through the Lens of Gender. Ed. Jerilyn Fisher and Ellen S. Silber. (Westport, Conn.; London: Greenwood Press, 2003).
     
  Amiri Baraka/LeRoi Jones (Jones changed his name to Baraka)
  Key Criticism
    Benston, Kimberly W. Ed. Imamu Amiri Baraka  (Leroi Jones): A Collection of Critical Essays. Englewood Cliffs; London: Prentice-Hall, 1978.  OUT OF PRINT, available in Amazon Marketplace.
    Harrison, Paul Carter, Victor Leo Walker, and Gus Edwards, eds.  Black Theatre Ritual Performance in the African Diaspora (Philadelphia, Pa.: Temple University Press, 2002). Includes an essay on  Dutchman
    Hatch, James Vernon, and Ted Shine.  Black Theatre USA: Plays by African Americans. Expanded edition ed. Vol. 1. (New York: Free Press, 1996).  Includes an essay on Dutchman
    Mann, Emily, and David E. Roessel, eds.  Political Stages: Plays that Shaped a Century (New York: Applause Theatre & Cinema Books, 2002).  
    Rebhorn, Matthew. "Flaying Dutchmen: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's  Dutchman." Callaloo 26.3 (summer):796-812 (2003) Not available electronically.  
     
    African American Poetry
    See the Norton Anthology of African American Literature  for a comprehensive selection.  See also:
    Adoff, Arnold, and Gwendolyn Brooks, eds.  The Poetry of Black America Anthology of the 20th Century. New York: Harper Collins, 1973.  
    Reid, Margaret Ann. Black Protest Poetry Polemics from the Harlem Renaissance and the Sixties. Vol. 08. New York: P. Lang, 2001.
   
   
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